Stringing, Cleaning, and Tuning Your Guitar
An Original Tutorial by Alan Horvath
I don't know why anyone would string a guitar by putting the end of the string through the tuner-hole, and then winding and cranking ... winding some more ... cranking some more ... man! Have you ever seen the wad of string that sits around the peg of a guitar strung that way? Pulleeeze!!! That is not the reason they give you all that extra string.
Whenever I see a guitar strung in this manner, I know I'm looking at a guitar that goes out of tune every ten minutes or less! Consider all the pressure created when a string is fully cranked to it's proper pitch. I wouldn't want my finger between that string and the nut! There's alot of pressure going on, eh? Mere common sense tells you that a string wound some twenty or thirty revolutions -- and rather loosely at that! -- around that little peg, is gonna stretch for quite some time before all that slack is taken up! What a miserable experience! Have you ever noticed, after putting a fresh set of strings on your guitar, that it takes a couple of days before all the strings stop stretching? It's a real pain, ain't it? Well, let's put an end to that, once and for all.
When I string up my guitar with a new set of sweet crunchy bronze wound honeys, and set all the strings in tune, I can put it back in it's case and be fully confident that the next time I take it out of the case, it'll be in perfect pitch. And here's how it's done:
For the Record: E.A.D.G.B.E
Heavy - - - - - Thin
x ... x Procedure for Steel Strings | Acoustic or Electric Guitars:
Picturing the #6, #5, and #4 Strings:
NOTE: This illustrates the procedure when all of the tuning
pegs are on one side of the neck - like a Fender Strat.
WARNING! -- Be very careful when stringing your guitar!
The ends of guitar strings (especially steel) are much like needles.
Always hold the very end of the string when installing.
When tuning strings up to pitch, be sure to keep your eyes at a safe distance from the head of the guitar or wear safety glasses.
1. Starting at the bridge, set the ball-end of the string into it's proper seat, at the bridge of the guitar, firmly. If you are using bridge-pins, drop the ball-end a couple of inches into the hole ... put the bridge pin almost all the way in, and pull the ball-end up against it - then press the bridge pin all the way in while pulling the ball-end against it. Press firmly on the pin.
2. Next, take the other end of the string and slip it through the appropriate tuner, at the top (head) of the guitar, and pull it all the way through the peg hole ... snug ... don't pull too tight, but gently take up the slack ...
NOTE: The fatter the string, the more slack it needs: On the high-E (thinnest) string, I'll pull it *snug* -- the string is not relaxed (laying down) but off the fretboard. But, on the *low*-E (fattest) string, I'll pull the string much less snug, letting it relax enough to lay on the fretboard.
3. Next, kink the end of the string, at the peg -- to the right on the #6, #5, and #4 strings - see illustration above ... and to the left on the #3, #2, and #1 strings - see illustration below.
4. Now, bring the end of the string around ... and under itself (between the nut and the tuner side of the string) ... then up and over itself (see illustration) ... only, unlike the illustration, pull tightly on the string, maintaining a very tight wrap.
NOTE: You do not want the string (from the bridge, up to the tuners) to be tight ... you do want the wrap of the string, around the tuner, to be tight. Capeesh?
Picturing the #3, #2, and #1 Strings:
5. Start cranking the string up, and you'll notice - as the peg turns - the string immediately bites down on itself ... it will not stretch beyond that "bite" point - and therein lies the key.
6. All six tuners -- I mean the part that you turn with your hand, in the interest of tightening the strings -- are turned counter-clockwise, so that the string rests on the INside of each peg.
7. Tune the string up to pitch. Then, grab the string at the 12th fret and pull it up, off the fretboard, 2 to 3 inches ... bearing a good amount of pressure on the string, as you stretch and pull the slack out of it. Ummm ... if you don't know your own strength, be cool about this ... you don't want to bust and snap strings here - the idea is to stretch it a little bit. Then, tune it to pitch once again.
Repeat the above "stretch.N.tune" procedure until the string no longer goes out of pitch after pulling on it - it usually takes 5-7 applications. When you are finished, look at the amount of string that has wrapped around each of the tuning pegs -- if you see more than one revolution/full wrap, you could apply less slack on your procedure next time you change strings ... if you see less than 1/2 revolution, you could allow more slack on your procedure next time you change strings. Eventually, you'll get the hang of it and you'll wind up with one revolution, or less, to the amount of string wrapped around each tuner.
Finally, you can neatly coil the ends of the strings, or cut them off with a small pair of "nippers," as I do.
Frets.com | The Wonderful Frank Ford
If you need further clarity concerning the above procedure, Frank Ford will repeat the process for you, with photographs of each and every step - including a few more cool tips, to boot! THANKS Frank!
1. Starting with the bridge, as you can see by the illustration below, you pass the string through the bridge hole, then loop it around itself, wrapping - 3 times:
2. Pull on both ends to snug up the wrap as tightly as you can.
3. Bring the long end of the string up to the headstock ... poke it through the appropriate hole ... pull it snug ... don't pull too tight, but gently take up the slack ... bring the string up over the tuner and back towards you ... wrap the end of the string 3 times, around itself (between the tuners and the bridge section of the string) ... and start cranking up the slack, tightening each string.
NOTE:You only want the string (from the bridge, up to the tuners) to be *snug* - not too tight (nylon strings stretch a whole lot more than steel strings do, so I set my nylon strings much more snug, to begin with, than I do steel strings). When wrapping around the tuner, you do want the wrap of the string to be very tight.
People often ask how frequently strings should be changed ... but the answer to that question depends on a number of things. Once conventional strings start showing a fair amount of oxidation (darkness in color) they become increasingly difficult to tune, and their sound quality will leave much to be desired. Once perspiration gets onto the strings, and especially into the windings, oxidation begins, and consequently, sound quality rapidly deteriorates.
Everyone has different body chemistry, so some may prefer one brand over another ... and you'll find your own eventually ... but, generally speaking, a new set of strings should be installed once a month - at the very least. They will lose their initial brilliance after 10 hours, or so, of playing ... and after a week of daily playing there isn't much brilliance left ... though they may sound "passable."
I use to put a new set on every week or so ... but now that I use Elixir Strings, I can go 2-3 months (easy) before needing a new set! ELIXIRS are coated, so they don't oxidize very easily and are a pretty safe bet, no matter what your body chemistry is like. Elixir's are 3 times more expensive than conventional strings ... but since they last ten times longer, I consider them to be the least expensive strings on the market! Honestly ... these strings last a remarkably long, long ... long time.
P.S. - I have an Artist Endorsement with Elixir Strings ... you'll see my name posted on their site's Artists Page (link below). Please note that I endorse these strings for the very same reason that I'm telling you about them : Because they are the best.
Regarding acoustic guitars, wax is not cool ... and non-drying oils (like lemon oil) are even worse. Oils, waxes, and silicates penetrate the finish, entering the wood itself ... and over a period of time, they'll add a density to the wood that detracts from it's resonance. These "nasties" also turn simple repairs into nightmares - ask any experienced luthier, and you'll find no question about the matter. The bottom line is this : If a product contains Petroleum Distillates -- don't use it.
The more the wood DRIES and ages, the more resonant and rich it's sound will become.
Generally, wiping the guitar down, with something like a chamois cloth, after each playing session, is all the maintenance your guitar will ever need. Most players have it backwards -- over attending to waxing and fretboard lubricants (bad stuff!), while abusing the wood by not keeping the guitar in it's case, where it should be whenever it's not being played.
I like to clean my guitar when I change the strings, so I can get at all those spots UNDER them. A damp rag is all that's needed - dipped in a little water, and wrung dry. Put some serious elbow grease into it though, with a soft, non-abrasive cloth (like an old t-shirt) ... and wipe the guitar down thoroughly - same for the fretboard. A little Murphy's Oil Soap, diluted with water (as instructed on the bottle) is excellent! Don't worry about the water: STANDING water is what damages wood -- we're talking about a damp rag.
After a few years, you may want to remove the "grunge" off your fretboard by giving it a very light brushing with #000, or #0000 steel wool. And if you want to use a polish, use Martin Guitar Polish (the only one I've ever heard confidently recommended by luthiers) ... but not on the fretboard! If you want something for the fretboard, luthiers recommend almond oil ... just a drop or two ... once per year. NOTE: In a recent email, a friend told me they used Martin Guitar Polish on their brand new Gibson J200 and it removed all of the floral etching/engraving completely off the pick guard -- they had the pick guard replaced, tested a small area again, and it happened again ... so, if you're gonna use it, keep it away from pick guards!
Here are some cool books about buying and maintaining guitars:
The Complete Guitarist
by Richard Chapman / Forward by Les Paul
Everyone that's purchased this book, rants and raves about it! It's got everything you need, from chord charts and scales, to more than 1,500 step-by-step illustrations ... an annotated portfolio of more than one hundred makes and models of guitars - pretty much, just what the title says.
The Acoustic Guitar Guide :
Everything You Need to Know to Buy and Maintain a New or Used Guitar
by Larry Sandberg
Contains just enough up-to-date technical and historical background to give you what you need to select a great new or used acoustic guitar. It clarifies model sizes, nomenclature, woods, strings, and everything else. The author is correct in that no book full of adjectives will help you evaluate either sound or action. You need to go out and play as many guitars as you can. However, this book gives you a great start, and gives you a lot of good reasons to pass over a lot of what is on the lower end of the market today. Highly recommended.   ~~Rhys A. Ord - Florham Park, NJ USA
Guitar For Dummies
by Mark Phillips, John Chappell, Jon Chappell
Guitar For Dummies offers full coverage of the subject, from picking out a guitar to learning to play, expert advice from America's leading guitar authorities, musical exercises and fretboard illustrations--plus a tutorial CD that features licks and songs from the book.   ~~Ingram
Learning to tune your guitar is a process that takes time ... a few days to a week should do it ... and kind of grows into a maturity over the first few years of playing. You have to develop an "ear" ... in other words, you must become familiar with the nuances of what's "sharp" and what's "flat" and what's "in" pitch. I think a good practice excersize is to play with one note ... tuning it to pitch and hearing what "in" means ... raising the pitch and hearing what "sharp" means ... lowering the pitch, and hearing what "flat" means -- like this:
1. Fret the D string (4th string) at the 5th fret.
2. Play that note and you're hearing a G note.
3. Now, tune the G string (3rd string) to match that note (as best you can).
4. Practice learning when you have the proper pitch on the G string (3rd string) -- which is the G note you are producing on the D string (4th string) at it's 5th fret.
Practice: Match the notes by tuning the G string (3rd string) to the D string (4th string) played at it's 5th fret. Then tune the G string (3rd string) above proper pitch -- you will hear it going out of tune with the D string (4th string) by a wavering sound! The two notes reverberate against each other when they start going out of tune or out of phase with each other. Next, tune the G string (3rd string) down again until that wavering sound stops -- that's when the notes are matched! That's when your G string is in tune! Now tune the G string (3rd string) down below the proper pitch until you hear the same wavering effect occur ... then tune it back up again until the wavering stops. Again, when the wavering or oscillating sound stops, the notes are matched and your G string (3rd string) is in tune. Perform this practice daily and after a few days, you'll start getting the true hang of tuning by ear.
NOTE: Electronic tuners are great tools ... especially on stage when, with a lot of other sounds going on all around you, it can be hard to listen to the pitch variances involved in tuning ... but you can develop a lazy ear by using the tuner all the time! Learning to tune your guitar by ear is not only a fun experience but very rewarding as well. The more familiar you become with tuning by ear, the better you will be at discerning the accuracy of what you're doing, even when you are using a tuner.
Also, join some discussion groups -- ask questions ... and remember: There's no such thing as a stupid question! You'll be surprised to learn how eager other players are to help you. My favorite group is the Acoustic Guitar Group at Yahoo! Check it out - you'll see me there; I'm the Group Moderator.
FINALLY -- Here's the way to tune each string:
1. Starting with the 6th/E STRING (the fattest one) ... this one needs an outside reference note. Whether it's a piano, a tuning fork, a harmonica, some other instrument, a pitch pipe or an electronic tuner, you need to match this string to an E note in order to begin tuning the rest of the strings by ear.
2. To tune the 5th/A STRING, fret the 6th/E string at the 5th fret and tune the A string to match the fretted note that is sounded on the E string.
3. To tune the 4th/D STRING, fret the 5th/A string at the 5th fret and tune the D string to match the fretted note that is sounded on the A string.
4. To tune the 3rd/G STRING, fret the 4th/D string at the 5th fret and tune the G string to match the fretted note that is sounded on the D string.
5. To tune the 2nd/B STRING, fret the 3rd/G string at the 4th fret and tune the B string to match the fretted note that is sounded on the G string.
6. To tune the 1st/E STRING, fret the 2nd/B string at the 5th fret and tune the E string to match the fretted note that is sounded on the B string.
7. NOTE: ALWAYS lower any string's note below pitch and tune UP to pitch. If you tune from a higher note down to pitch, the string will not stay in tune!
Also, here are some cool books about tuning your guitar:
Here are some other cool links for you to check out:
The Internet Tuner
If you want a tuner you can try right here and now, check this out -- there's also a bunch of very cool links to other sites.
Here's a simple tutorial that explains the whole process of tuning your guitar.
Here are strings for any kind of stringed instrument you can think of - autoharps, harp guitars, mandocellos, tenor guitars, you name it, they've got 'em for sale here -- including single strings ... and Elixir strings, too.
Need strings? These bandits have guitar strings for $2 per set! -- But *no* Elixir Strings ...